Shedding light on proper Cornish living – a writewyattuk review

Whether it’s about his utter disdain for the Jerusalem artichoke, irresponsible welly-wearing, embarrassment at goose courtship rituals, or the highly-emotive pasty ingredient debate, it’s fair to say Pete Cross likes to get a few things off his chest.

This Son of Kernow has also had plenty to say about the chough, the subject of his previous book, 2007’s superb children’s novel Shadows In The Sky, and that rare avian visitor’s return tied in nicely with Pete’s own Cornish homecoming after a couple of decades ‘up-country’.

pete shed

‘Nough Shed: Pete’s Backalong anthology

And now a collection of his monthly magazine Backalong musings for Cornwall Today have seen the light of day in paperback form, in the wondrous Notes from a Cornish Shed.

Pete left Cornwall sometime in the 1980s, working in publishing houses in London and back-packing around the world before returning in time for the new millennium, setting up home with his wife in a miner’s cottage on the North coast, coincidentally around the same time that news broke about those new sightings of the chough.

This keen birder committed his thoughts on a passion for Pyrrhocorax to print, with one article published in The Times (a ‘rather emotional choughy piece,’ as he put it). Soon after, he was offered a column at Cornwall Today. And the rest is history for his veritable Trelawney’s Army of fans.

That includes this blogger, a regular Cornwall Today reader since first clapping eyes on the mag while holidaying in Lelant in 2001, soon forking out for annual subscriptions.

Pete’s writing quickly stood out for me, and I felt real kinship, not least in a shared love for a county I’ve known as a holidaymaker since the early ’70s and one linked to my family since the turn of the last century.

And it’s fair to say Notes From a Cornish Shed, his edited selection of those columns, written in his hillside back garden cabin over the years, is everything I hoped it would be … and more.

Pete will get a bit embarrassed about all this hyperbole, but many of his readers feel this way. Sometimes his words and stories make you laugh out loud (and I don’t mean in the modern, transparent social media style), sometimes his more poignant pieces give proper food for thought, and sometimes you’re left in all-too vocal agreement, noisily extolling the sentiments he expresses.

Backalong Boy: note how the blogger has spilled his coffee on this copy of Pete's cornwall Today column

Backalong Boy: note how the blogger has spilled his coffee on this copy of Pete’s Cornwall Today column

I was hardly half-way through the introduction before I was gone, so to speak, unable to suppress my inner mirth as Pete explained the initial inspiration for Backalong, and how that spread from memories of past days in his beloved homeland to a far wider remit.

He wasn’t too sure what he might be trying to set out to convey, but he did know that the whole ‘downsizing to live the rural dream’ idea had already been done to death, not least in books “written by people with names like Minty Fumble, called things like A Puffin on the Aga – How we left our six-figure salaries in London and bought a derelict lighthouse to live the dream  in Cornwall with our many endearing pets, embarking upon numerous hilarious interactions with quirky but loveable locals.” *

Pete quickly realised he wanted to write about the Cornwall he knew back in the ’60s and ’70s, and how it had changed since he’d been in exile – sometimes for the better, sometimes for the worse. And maybe that’s one of his chief strengths – for these aren’t cliched tirades slamming every ‘in-comer’ that ever set foot across the Tamar. Instead, he takes a more reasoned approach, from the measured viewpoint of someone who’s properly lived, on both sides of the border.

That doesn’t mean he sits on the fence either (although I’m sure there’d be a few Cornish who’d like to put a fence up in the middle of that great river), but he seems to know what he’s talking about, and expresses that so well.

For one thing, he’s quick to acknowledge it wasn’t all roses (actually, he has a lot to say about the British love of the high-maintenance rose too) back in the old days, much preferring today’s iPod beach experience to the days when Simon Bates’ cheesy Our Tune cut across the sand from every other transistor radio while you tried to remove oil from the Torrey Canyon from between your toes.

In fact, time and again Pete re-examines the impact of the holidaymaker since the dawn of the tourist era, challenging that popular perception of the emmet-despising local.

Chough Chap: Pete's 2007 winning children's novel Shadows In The Sky

Chough Chap: Pete’s 2007 winning children’s novel Shadows In The Sky

There are a few bits you might expect, like debates on clotted cream, pasties, and how small T-junctions became big roundabouts while this Redruth-born Truro lad had been away. He also tackles surf culture and the glory of the Cornish coastal path, and notes how his county became fashionable in his absence, making him wonder why he’d bothered suppressing his accent in a bid to fit in on arriving in London.

You also see another side of Pete in a piece diarising his night-time RSPB volunteer’s shift at Southerly Point on The Lizard, protecting his beloved choughs’ eggs from low-life rustlers, pensively describing how in the early hours he realised he must be the first person in mainland Britain to feel a band of freezing cold rain slipping down his neck.

I reckon he’s at his best offering those afore-mentioned in-comers advice on how to fit in with the locals – such as not wearing shorts out of season (unless you’re a postie) or nautical-themed clothes unless you own a boat, and generally not trying too hard.

kernow car stickerA related piece on Kernow car stickers is a particular favourite, not least an anecdote about how he frightened a young woman in South-West London traffic when he saw her car’s St Piran’s flag symbol, lifting his motorbike helmet visor to emit an excitable ‘Oggy Oggy Oggy!’ greeting.

Then we have Pete’s take on all those dodgy Cornish accents on TV, from Poldark to Doc Martin, the latter of which he believed was set in Dorset or Somerset at first, judging by the actors’ phoney voices.

There’s plenty more too, the subjects ranging from the British penchant for killing house plants to unfashionable appreciations of the invasive grey squirrel and herring gull.

It’s probably easier to find out for yourself, but I’ll add a few more pointers so you can get your teeth into some of the subjects covered:

* alternative mid-life crises, like swapping your motorbike for an urge to buy a retro caravan

* appreciations of US cartoon anti-hero Charlie Brown; German Gruffalo illustrator Axel Scheffler (Pete’s old art school buddy); and modern Cornish cult legend the Kernow King

* the sad tale of Pete’s goose, Audrey, and her pinned leg; and the loss of the family Rayburn range cooker

* the perils of taking on a mundic block-constructed home; erecting a second-hand polytunnel; and installing nest-box cameras

* the traumas of owning a slowly-rotting Morris Traveller; naming your twins with a nod to your home county; and being too shy to talk when you meet your childhood heroes

* The enigma of the grey car; the county’s thriving Echium plants; the modern multitude of brown tourist signs; and living with a poor sense of direction

* the visual smells that best sum up summer; extreme gardening – Cornish style; and how best to spot an in-comer at a bus stop

* bafflement over the appeal of shower gel, avocadoes and Kerry Katona; the mysteries of over-running utility firm roadworks; and struggling to keep up with modern technology

* how past generations would find our love of the sea disconcerting; the ecological nightmare that is the modern disposable nappy; and how to spot a Cornishman in London

* Christmas dilemmas when Mum’s a veggie and Dad would be, but loves meat too much; and sage advice about unloved fish dishes (not least ‘never judge a monkfish by the fact that it looks like something off Dr Who’)

* life-affirming lessons in life dished out by a centenarian gran (or ‘centurion’ as Pete says, before being put right by his wife, “unless you’ve seen her ordering a hundred Roman soldiers about lately”)

* exposes of estate agent speak; the Isles of Scilly’s less-obvious pub opening hours; and blister remedies for ramblers, involving vinegar

Treasured Item: a must for every wannabe Cornishman's car

Treasured Item: a must for every wannabe Cornishman’s car

In short, whether you’re a ‘Cousin Jack’ living halfway across the world, an incomer who doesn’t conform with that second-home stereotype, or – like me – someone harbouring a dream of one day moving to Cornwall, this book is for you.

Come to think of it, I reckon there’s resonance for a lot more readers too, maybe even – whisper it – a few Devonians.

If you know Cornwall  Today and Backalong, you’ll have read a lot of these pieces before, but may have half-forgotten how good they are. If you don’t, maybe it’s time to start. You don’t have to read it in order either. You can dip in and out as the mood takes you. A few themes link, but they all stand up to individual scrutiny.

And while Pete can be mildly inflammatory, he can only really offend you if you’re a bottled water quaffing, sanctimonious opera buff with an immaculately-stacked pile of logs on display in your second home, which you have no intention of setting light to.

At a time of year when we seek perfect stocking-fillers, Notes From a Cornish Shed is funny, quirky and … erm … bleddy well written. Even if you’re not from Trepiddle and have never felt the need to scour a breaker’s yard looking for a faded Lifeboats sticker for your back windscreen. 

 Incidentally, I’ve got the first two volumes of Minty Fumble’s A Puffin on the Aga at writewyattuk HQ if anyone wants to bid for copies.

Notes From a Cornish Shed by Pete Cross (One Inch Capacity, 2013) is priced £7.99 (paperback) or £4.99 (e-book), available from Amazon and a few proper bookshops too

If you’re reading this in time, Pete’s also set to pitch up (with a pasty and a pint of Betty Stogs, probably) to sign up copies at Waterstones in Truro at 11am on Saturday, November 30. For more information about Pete Cross, try here. And for a writewyattuk review of Pete’s 2007 children’s novel, Shadows in the Sky. head here.

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Frat’s entertainment

fratellis coverFOR someone who gives so much during a live performance and on record for his band, Jon Fratelli is one laid-back dude in conversation.

You’d think The Fratellis’ lead vocalist and guitarist – born plain John Lawler – would be buzzing at the moment, his band having just released their third album and back out on the road.

What’s more, there’s been quite a fair bit of press and social media interest in latest release We Need Medicine. But Jon would have us believe he knows nothing about all that.

I asked him about the initial reaction to the band’s new LP a few weeks ago, and he said: “I have no idea, I’ve spent my life completely out of the loop … out of every loop in fact.

“I’d forgotten when the record was coming out, actually. I knew roughly, but I’m usually far happier to wait until we’re playing shows and see what the reaction is then.

“I trust that more than anything else. Even fans’ reactions online I wouldn’t read. I’ll wait until we play, then there’s no way of doubting the reaction, be it good or bad.”

fratellis_333-1024x682You could argue that Jon’s reaction is some kind of safety mechanism after what has been a quite extreme reaction to previous releases, both from this band and his solo records.

That ranges from the mesmerising reviews for 2006 debut album Costello Music – best known for sing-a-long hit Chelsea Dagger – to a more low-key reaction to 2008 follow-up Here We Stand and his solo material.

He added: “I’ve probably gone through all of the extremes, like with our first record we had a ridiculous amount of really quick sales and good feedback in such a short space of time.

“I’ve had that and then I’ve released records where not a soul buys them. You end up having to work out the best way to deal with that. And I’d rather not know. I’m far better to just wait until we play a show.”

So will We Need Medicine be the LP that finally sees the Glaswegian three-piece – completed by bassist Barry Fratelli (Barry Wallace), and drummer/backing vocalist Mince Fratelli (Gordon McRory) – move on in the public eye after Costello Music?

Costello Music: The Fratellis' debut was a revelation

Costello Music: The Fratellis’ debut was a revelation

Jon said: “In the nicest possible way I couldn’t really care less. It’s so far out of your control that it isn’t really worth caring about.

“All we’ve done with this record is to make something that we liked at the time. It’s almost like going back to where you are when you make your first record.

“When you make that first record you can only possibly be making it for your own amusement, because you have no fan base and haven’t sold any records so no one actually knows who you are.

“With this record we were able to get back to circumstances that we were really just making it for our own entertainment. And I hope it shows!”

The new album certainly carries a joyous feel, from raucous opener Halloween Blues onwards.

Jon’s vocals invite similarities with Arctic Monkeys front-man Alex Turner, tempered by a feel of US rock influences like Bruce Springsteen too.

Then there’s a bit of 1970s glam bands like Wizzard in there – that retro mix of brass, piano and guitar seeing them stand out from all the other so-called guitar bands.

But Jon’s non-committal, saying: “Anything would be completely coincidental. I guess it’s not trendy these days to have those instruments as prominent as that.

Standing Up: Second LP Here We Stand failed to keep The Fratellis in the limelight

Standing Up: Second LP Here We Stand failed to keep The Fratellis in the limelight

“I guess it just shows what happens if you take all those other things out of the equation – like record labels, management and all that goes with it when it becomes a business rather than a band just making music.

“We could spend endless hours trying to be something else other than us. We could be the world’s most experimental band if we wanted, but it would be so hard to do that.

“You just have to let yourself be what it is you want to be, and we’re just a rock’n’roll band. And I don’t find that confining at all.

“It’s actually a bit of a challenge to stay within that rock’n’roll rule book for want of a better phrase, but still make it interesting to yourself and anybody else who listens.”

So is this the closest you’ve got so far to what you set out to be at the start? Or is it just where you are right now?

“It’s probably half and half. With our first record, the songs were maybe written in the space of a month, and it was genuinely a good month – the sun was out a lot and I was in a pretty good mood.

“Almost everything on that record was written in a month and recorded within four weeks. But that was eight weeks defining your whole life.

“It’s a strange one but that’s just where you find yourself at that point. But I don’t worry about it and I definitely don’t fight it any more.”

There’s a lot of power on this album, not least seeing as there are only three Fratellis.

Side Project: Jon's Codeine Velvet Club off-shoot, with Lou Hickey

Side Project: Jon’s Codeine Velvet Club off-shoot, with Lou Hickey

“I wouldn’t really describe us as a three–piece. We’re a three-piece by default, originally a four-piece that got whittled down to three.

“I’m not a huge fan of that three-piece sound. It’s not enough for me. It would never satisfy me for long, but I think this record is probably the first that’s taken us away from that.”

But Jon is a bit of a multi-instrumentalist, isn’t he?

“I’d much prefer someone else played piano. I can handle it, but there’s people that can play it far better than me, and there’s a piano player who’s been with us three or four years now.

“That to me is probably for me my favourite kind of rock’n’roll, for me it’s never had to be all about guitars.

“When people call you a guitar band, I’m not really sure what a guitar band is. We’re just a bunch of guys not paying too much attention to what people think we should be doing, just doing what the hell we feel like doing.”

There’s an element of American rock about the band on We Need Medicine too, a stadium rock feel you suspect might go down well stateside – as perhaps proven by the amount of sell-outs on their recent US tour.

Jon added: “The funny thing is that while maybe British bands popularised it, in origin rock’n’roll is undeniably American, and I always thought we had some of that.

“I think maybe there were bits of that on the first record, and possibly the production masked it, making us seem very glam-influenced.

“And to be honest that’s maybe my least favourite era of music. Songwriting-wise I loved it, but not that sound.

Solo Album: Jon Fratelli's 2011 release Psycho Jukebox

Solo Album: Jon Fratelli’s 2011 release Psycho Jukebox

“So much in that era seemed like really great little ’50s rock’n’roll songs, but the production changed it.

“With our first record it probably seemed like we had gone down that glam path, but you couldn’t really find three less glam guys if you tried!”

This year has proved to be a second coming for The Fratellis, who in the summer of 2009 switched to various side projects before reuniting last June.

Jon himself carved out a solo career and formed his own band, Codeine Velvet Club, during that hiatus. But then came the decision to reform. So was it nice to get back with his fellow Fratellis?

“It’s just been nice to rediscover the simplicity of the whole thing. I guess all anybody that ever plays an instrument or paints a picture or writes a book ever wants is for somebody to show it to or play it to or for someone to listen.

“For some reason down the line we lost that connection of how it was meant to be – just playing to people. And this last year it’s been nice to rediscover that.

“Going out and playing guitar with your friends on a stage in front of people is not a bad way to spend your time really, is it?

“It’s been nice to do that, and we’ve managed to keep that feeling for the last year, something I’m ferociously holding on to. It’s made life so much simpler.”

So did the solo and side-projects remind you of where you wanted to be?

“It’s never to be under-estimated how important it is to have an audience and how difficult it is to find one.

fratellis cdbig“The Fratellis built one and had forgotten how difficult it was – it took a lot of blood, sweat and tears, going back to the same towns, the same cities, same countries, month after month.

“It’s almost lunacy to throw that away, and it’s nice to rediscover that.”

You’ve played a few festivals in Europe this year, has that sharpened your resolve?

“Well, if all else fails, if your records don’t sell and you can’t get on the radio, if you can’t get in newspapers and magazines, if you can plug in a guitar, go on a stage and play to people, then you’ve always got that.

“We know how to do that, and I guess I sleep soundly at night now knowing that if all else fails, we can get on a stage and sell ourselves that way.

“We can make a record we want to make and hand it over, and the whole thing hinges on so many things you can’t control. But getting on a stage and playing is where we get that control back.”

New Single: Seven Nights Seven Days from We Need Medicine, although the blogger would like it to be known that he never ever condones clown imagery

New Single: Seven Nights Seven Days from We Need Medicine, although the blogger would like it to be known that he never ever condones clown imagery

Will it be nice to finish off in your home city, Glasgow (02 Academy, November 29)?

“We almost always seem to end up there. At first we thought it was great, then it became normal, now it’s just a gig that you get to go back to your own bed after.

“But this time the European dates start just a couple of days later, and I’ve also stopped trying to predict what night’s going to be the best night.

“We used to look down the dates and think that one’ll be great. But that’s completely out of your control. And I like that.

“If a certain alchemy happens on certain nights between performers and audiences and venues in cities or towns and who even knows when or where it’s gonna be, it keeps the interest.”

So (with their Friday, November 22 date at 53 Degrees in mind) do you have specific memories of past Preston performances?

“I actually played there on my own and think I remember more about that than when the Fratellis were there.

“Last time we were going through a strange phase which probably led to us breaking up in the first place. Not a lot of that period holds that good a memory.

“Because of that, I definitely have it in mind that we need to redeem ourselves at certain places.”

So for those who might just know Chelsea Dagger and very little else, what can they expect at 53 Degrees and for the rest of the UK tour and beyond?

“I guess the only thing I could tell them to expect is that they’ll be seeing a band that if they’re not dead by the end of the gig they haven’t given their everything.

“Generally, I’m dead at the end of every gig. At the very, very least, they’ll get everything we’ve got. And that’s kind of as much as we can do.

“There’s nothing fancy there. We have to get by on that.”

And will Jon know how well the new album’s doing by then?

“Well … I’ll be the last to know.”

* The above is a longer/revised version of a Malcolm Wyatt feature that appeared in the Lancashire Evening Post on Thursday, November 21, 2013, arranged with the help of James at Sonic PR

* For tour details and the latest from The Fratellis, head here

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Taking the crunchy with the smooth, Cardinals style

Sweet Marriott: Tractor Boy Jack Marriott scores against Dartford (Photo: Andy Nunn)

Sweet Marriott: Tractor Boy Jack Marriott, right, celebrates against Dartford (Photo: Andy Nunn)

After six goals in two Conference Premier matches and two wins on the trot for the first time since April, there’s – whisper it – an element of optimism at Kingfield again, as this Cardinal blogger duly acknowledges.

But when Reece Gray put Hyde 2-0 up at the mid-point of the first half at Woking on Saturday, doubts crept back in.

The Cards were according to my commentary all over their North-West opponents, yet two lapses led to the visitors’ only chances and a two-goal deficit. And although we would never have outwardly acknowledged it, memories of December 1, 2012, sprang to mind.

On that occasion, as you can re-live here if you dare, I swear Tameside’s Tigers barely had 10 shots on goal yet won 7-0. And now it looked like we were about to succumb to a bottom-of-the-table team still awaiting their first league win, at the 20th attempt.

Too many times I’ve seen teams finally break their duck against us then push on, but surely not Hyde too? Well, thankfully not this time, two goals from new loan star Jack Marriott and one from another, Scott Rendell, proving enough, to the delight of highly-impassioned Jon Howick and John Moore on BBC Radio Surrey.

Listening on the internet? Yes. I wasn’t there, which I guess drags me down with all the other ‘supporters’ I slate who moan about their big clubs on Radio 5 Live’s 606 phone-in yet seem to be calling from home while the true fans are still shuffling back to their cars.

But I’ve seen a fair few Woking games this season, and travelled plenty of miles in the process, so at least feel qualified to speak out. Besides, the video footage of those last two matches looked good too.

There was a lot riding on Ipswich Town’s 19-year-old Marriott being what we needed after a largely fruitless first three months. And from the highlights I’ve seen of the last two matches, and the reaction of the broadcast and print media and fellow fans, I’d say that was well founded.

And after two games it seems that Mick McCarthy’s deal with Garry Hill, initially for one month, might just be the catalyst we need, as it proved when we brought in Sunderland’s Billy Knott last term.

The problem is that Woking have suffered what seasoned medical experts diagnose as second-term syndrome, the over-reaching of us part-timers in securing a first-time top-half finish weighing heavily upon our charges.

Thinking On: Garry Hill and Steve Thompson in pre-season (Photo: David Holmes)

Thinking On: Garry Hill and Steve Thompson in pre-season (Photo: David Holmes)

But I always respected Hill’s contribution to everything Woking FC, and these past months have somehow only strengthened that belief.

While based around 230 miles from Kingfield, I’ve had the chance to see the gaffer and his deputy, Cards legend Steve Thompson, at close quarters a few times in this (so far) stuttering 2013/14 season.

And although the previous results and lowly position might give us a few worries going into the end of the year, I’ve no doubt we’re turning.

Let’s face it, my first six matches of the season – five loosely in the North-West and another back down in Surrey – have not been altogether defining. Yet they were the kind of games that strengthen your resolve as a committed fan (and some might say I deserve to be committed for my unflagging support).

That’s not just blind worship. I’m only too aware we’ve sailed close to the mire and need to somehow pull through this to retain our top-flight non-league status.

And from victories at Chester and Hyde to near misses at Southport and in the FA Cup against Luton, as well as defeats of varying levels at Macclesfield and Wrexham, I’ve seen enough from Garry H to suggest we can do that.

Beast Rising: Joe McNerney nets at Chester (Photo: David Holmes)

Beast Rising: Joe McNerney nets at Chester (Photo: David Holmes)

My first sighting this season involved us making up for a lack-lustre first half to win 2-0 at fellow strugglers Chester, a Gavin Williams wonder-volley and a powerful Joe ‘Beast’ McNerney header sending us home happy – even if I was diverted south rather than north on the way back home because of problems on the M6.

As it turned out, Kevin Betsy’s first goals of the season secured a valuable mid-week win on my next sighting at Hyde a month later, another 2-0 win after an end-to-end Ewen Fields affair.

It wasn’t all roses, with our first-half display pretty poor. But an inspired substitution proved our salvation, the former Fulham midfielder’s goals capping an impressive second period for the Cards.

Goal Hero: Kevin Betsy celebrates with the travelling faithful at Hyde, including the blogger's niece and brother-in-law (Photo: David Holmes)

Goal Hero: Kevin Betsy celebrates with the travelling faithful at Hyde, including the blogger’s niece and brother-in-law (Photo: David Holmes)

On 74 minutes, Betsy was there at the back post to bundle home sub Anthony McNamee’s deep free-kick, then – when a Scott Rendell strike proved too hot for the keeper – he was first to react.

It was no more than we deserved for our endeavour, the bottom-of-the-table East Manchester hosts – despite plenty of spirit – appearing to have less stamina to succeed.

That was also the start of Sam Beasant’s run in the net, and while there have been plenty of defensive hiccups before and since, Big Dave’s lad can be proud of his contribution.

The catalyst at Hyde proved to be Hill’s somewhat-harsh sacrifice of Lee Sawyer for McNamee before the break, a far more potent Cardinals performance following.

McNamee made that right channel his own, giving Rendell the service he craved, the away defence doing just enough to keep the hosts out before the tide turned, courtesy of our 35-year-old stalwart.

Debutant John Goddard also impressed in a game which seemed to give us belief and leave Hyde in the doldrums, where they remain all these weeks on.

But all the positives were undone just four days later when we were out-played by a Macclesfield Town side who used that performance to push on to far better things.

Sole Goal: Giuseppe Sole nets a consolation striker at Macclesfield (Photo: David Holmes)

Sole Goal: Giuseppe Sole nets a consolation striker at Macclesfield (Photo: David Holmes)

It was a poor performance at the Moss Rose, to say the least, even though the Cards almost pulled off an unlikely draw after two more late goals. But a point would have been flattery in the circumstances.

Instead, John Askey’s hosts gained their first win of the season, deservedly, offering fluid movement and plenty of pace while we looked languid and somewhat disinterested.

In late September sunshine, Chris Holroyd and Connor Jennings positively sizzled for the hosts, showing the travelling faithful just what we were missing.

A lack of creativity and far too many basic errors scarred us, despite a bright start, the first home goal following a poor back-pass, with chances of our own missed while Beasant was exposed time and again, his defence repeatedly undone or out-run.

From poor speculative finishing to a routine stifling of Rendell, we were poor, with little imagination shown, never looking capable of undoing a first-half two-goal deficit, another mistake leading to a third before our late (false) rally.

I’ll never forget Hill’s post-match rant, John Moore doing his best to remain positive while the Essex exocet launched into a performance that he told us left him ‘feeling dirty’.

Meanwhile, a few of us who stayed – including BBC Radio 5 Live’s Garry Richardson – stood there a little embarrassed, wishing we were anywhere else.

Fact remained though that Garry H – for all his ranting – somehow retained his dignity among it all. If anything, he just came over as a genuine fan, disgusted by what he’d seen from his team, and wanting far, far better.

It was clear from there that our under-performing players weren’t likely to get a top hotel stop-over next time, so I wasn’t too surprised when I heard the following big awayday would instead involve a train ride.

I quite liked that idea. There was something a bit pre-war about the concept, conjuring up the picture of be-suited, Brylcreemed Cardinals having cigarette breaks in the carriage corridors between Euston and Wigan before a coach took them on to Southport.

Great Scott: Luton loanee Scott Rendell celebrating what proved to be our last goal in 480 minutes of action (Photo: David Holmes)

Great Scott: Luton loanee Scott Rendell celebrating at Haig Avenue after what proved to be our last goal in 480 minutes of action (Photo: David Holmes)

If only I’d known the Rendell finish I witnessed within three minutes at Haig Avenue would be the last league goal Woking fans would witness for another eight hours of play.

It was a perfect start, but if the idea was for the train to take the strain, the resultant frenetic 90 minutes in late summer sunshine on the Lancashire coast certainly didn’t do the health of the travelling support much good.

This was a belting match, with incidents galore and plenty to talk about on the long trip home. But there were hairy moments for both sides in a not-for-the-faint-hearted end-to-end thriller which neither side deserved to lose.

While the visitors had a great chance to end Port’s unbeaten home record, they might as easily have come home empty-handed.

Port were not deterred by that early blow, and in time ex-Fleetwood Town midfielder and main threat Jamie Milligan scored from a fluke free-kick.

It was like watching Andy Ellis in his pomp, not just for his looks but his passing game too. While Woking struggled to create openings, Milligan sprayed it around.

But there were many positives that day, and while we were lacking in certain areas, the implication was that Macc was a one-off.

Clear Message: The Woking subs spell it out at Wrexham (Photo: David Holmes)

Clear Message: Woking’s Mark Ricketts, Scott Rendell, Giuseppe Sole and Will Salmon spell it out at Wrexham (Photo: David Holmes)

The same could be said of the defeat at Wrexham in mid-October, one of those rare afternoons where we felt among the higher echelons of football, soaking up an impressive setting and giving our all against a club we hadn’t really expected to find in those lower reaches.

In the end, like Macclesfield, I felt the North Walians would use their inspirational victory as a springboard to greater things, something I’m just hoping we’ll do pretty soon too.

There was no doubting Andy Morrell’s team spirit, while – despite being in this game right to the death – Woking’s goal drought increased to six hours and we became further embroiled in a relegation fight.

It was no easier to watch a couple of days later on S4C’s Sgorio Welsh football highlights show, and I still couldn’t quite see where our goals were going to come from, not least with lots of difficult fixtures ahead. But at least our second-half display at the Racecourse Ground suggested an appetite to finally climb that table.

I put that to Garry as he wandered past at full time to speak to Jon Howick, and got short shrift – the gaffer batting down my praise for the closing 45 minutes with a blunt comment about this being a 90-minute game. He was right of course.

Again, the Cards were poor in that first half, something we can’t afford in what’s proving a much-higher standard league than that we left a few years before – our weaknesses too often exposed.

On the day, Dean Keates took a leaf out of Jamie Milligan’s book with a crowded box drilled finish, Beasant deceived by his own defenders, rousing a commendable 3,000-plus crowd.

Woking’s main attacking option Rendell was again isolated and boxed in while Wrexham’s Andy Bishop and Brett Ormerod gained confidence. Needless to say, harsh words followed in the dressing room.

To their credit, the Cards fought the Dragons at their own game from there – with fire in the belly. Betsy was at the heart of that revival, as was Giuseppe Sole and Mike Cestor, as heavy rain gave rise to sunshine and renewed hope.

But it wasn’t to be, another creative midfielder – Joe Clarke – showing us how it should be done in the late stages to ensure a 2-0 Reds victory.

However, in all those performances there were signs that we had the ability, if only we could stay switched on for 90 minutes and show the spirit and imagination Macc and Wrexham had.

High Jack: Cards defender Jack Parkinson rises to the occasion in the FA Cup against Luton (Photo: David Holmes)

High Jack: Cards defender Jack Parkinson rises to the occasion in the FA Cup against Luton (Photo: David Holmes)

There was further proof of that in our underdog FA Cup display against big-spending Luton Town on my first Kingfield visit of the season a week later, enjoying the lion’s share of possession on the day, worthy of at least a replay.

But – like the 4-0 Hatters home drubbing a few weeks before – a set-piece ultimately undid us – Dave Martin’s corner teeing up Mark Cullen’s first-half header (just after a great one-on-one opportunity spurned by Sole) for John Still’s side.

We joked that we didn’t want Welling in the next round anyway, but it hurt to go out at that stage yet again. At the same time, there was a certain inevitability that we were clutching at straws, not least as we were reliant at the end on putting our bearded centre-half up front for the added six minutes the ref kindly offered.

As it was, the misery continued at home to Grimsby the following week, despite us finally scoring – courtesy of Betsy again. This time a sickening stoppage-time strike from Craig Disley left us deflated and defeated.

Hyde Slapped: Jack Marriott on target again, against Hyde this time (Photo: David Holmes)

Hyde Slapped: Jack Marriott on target again, against Hyde this time (Photo: David Holmes)

But then came that turn-around, a 3-0 win over Dartford followed by us clawing our way back against Hyde to ensure our first double of the season.

What’s more, Marriott’s arrival has taken the pressure off Rendell, who’s refound his form, and Josh Payne has started to finally make the impact that led to his England C call-up.

It’s not going to get any easier, our next matches involving visits to top-of-the-table Cambridge United then Hereford United in the FA Trophy before December 7’s visit to Halifax Town.

All being well, I’ll be there at The Shay, and have every confidence we should create enough chances to make up for the odd squeaky moment at the other end.

That’s what it’s all about for us hard-done-by Cards fans. You have to take the crunchy with the smooth. And there’s been plenty of crunch this season. 

We’ve seen glimpses, now we just need to see a lot more. But with Garry H and Thommo leading from the sidelines, I reckon we’ll get there. 

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Helping out … through the power of literature

auction authors for philWe’ve all seen and heard the devastating pictures, the alarming footage and heart-breaking stories. A lot of us have also delved deep to support the Disasters Emergency Committee’s Philippines Typhoon Appeal in whatever way we feel we can.

In a nutshell, Typhoon Haiyan hit the Philippines on Friday, November 8, causing catastrophic damage across an area where thousands of people were already homeless after an earthquake in mid-October.

The 300-mile wide typhoon left a trail of destruction, with thousands feared dead. The full extent of the damage is only becoming apparent now as rescue teams reach the more remote areas.

Philippine Red Cross volunteers have been on the ground since before the storm hit, helping with evacuation plans and warning communities. Now, they are getting aid to the people most in need and preparing to help thousands more.

I’d rather be writing about other stuff – exclusive interviews with my literary and musical heroes; new and old albums, books, films and gigs; my football team; under-valued classic cinema, commemorations of public figures or reluctant heroes; or just a general misty-eyed nod to halcyon days gone by. But sometimes there are stories much more worthy of taking up big chunks of this huge interweb thingy. And Authors for the Philippines is one of them.

These past couple of years while setting up as a freelance writer and working towards getting published, I’ve been lucky enough to speak to a few authors who have made an impression on me. And this past week several have come together to help international aid efforts in the light of the Philippines typhoon.

Their efforts may not be hands-on efforts in the danger zone, but could make a real difference in this latest humanitarian crisis, raising funds for aid by donating signed books or original artwork, arranging author visits or offering chances to get your name in a book – either as a character or a listed sponsor.

auction candyThe main movers and shakers in this internet charity auction, raising money for the Red Cross’ Typhoon Haiyan Appeal, are London-based Philippines-born writer Candy Gourlay (left) and fellow children’s fiction writer Keris Stainton. And very quickly a lot of people in the book world agreed to help their cause.  

As YA author Keren David put it: “We’re getting a fabulous response from the publishing world – big names donating stuff like Simon Pegg, JJ Abrams, Philip Pullman, Malorie Blackman, David Nicholls, and many more.

“We’re getting varied and interesting lots – a night down the pub, original illustrations, a character with your name killed by zombies. But the auction ends on Wednesday, so we need to attract as many bids as possible.”

It’s fair to say Authors for the Philippines is already proving a real force for good. There are too many names to mention here, but I’ll at least mention some of those who either jumped off the page (so to speak) for their high-profile status or I’m just happy to plug anyway (and in some cases the authors hit both of those categories for me).

auction atkinsonSo step right up and bid if you fancy a signed hardback of Life After Life by Kate Atkinson, your name as a character or to to name a character in the next book by children’s laureate Malorie Blackman, or take advantage of a free author school visit or event involving Tony Bradman, complete with a free box of signed books for your school.

You can also be a ‘halfman’ in Melvin Burgess‘ next book, receive three signed and personalised Cathy Cassidy books, enjoy a selection of signed Lucy Coats books and arrange an author visit, or receive a dedication in Steve Cole‘s first Young James Bond novel.

Then there’s a chance of signed books from YA author James Dawson and a character name in his next book, a first edition of The Graveyard Book signed by Neil Gaiman and Chris Riddell, or a special signed limited edition of Sally Gardner‘s Maggot Moon.

How about some original artwork by Emily Gravett or a character name in Matt Haig‘s next book (with a mention in the acknowledgements)? Alternatively, perhaps a signed, full set of Emily Windsnap books by Liz Kessler, or four-book signed set by Linda Newbery.

Others might head straight for a signed limited hardback of David Nicholls‘ One Day plus signed shooting scrips for the film version of that and Starter for Ten, the signed, personalised copy of Simon Pegg‘s Nerd Do Well or a signed hardback of The Good Man Jesus and the Scoundrel Christ by Philip Pullman, or perhaps original artwork from the Harry & The Dinosaurs series by Adrian Reynolds or a 2003 manuscript of Meg Rossoff‘s How I Live Now.

auction pip-and-posyThen there’s original Pip and Posy artwork by Gruffalo artist Axel Scheffler, a signed copy of Tracey Thorn‘s Bedsit Disco Queen, or an original illustration by Clara Vulliamy along with her Dixie O’Day book signed by both the author (which just happens to be her mum, Shirley Hughes) and the illustrator, or even three signed Holly Webb books.

 And although that list seemed to go on for ever, believe me – that really is just skimming the surface. So how do you find out more? Well, head to the http://authorsforphilippines.wordpress.com/ link, find an item you’re interested in bidding on, then click on and leave a comment detailing how much you would like to bid.

But you need to hurry, as the auction ends this Wednesday (November 20), at which point the winning bidders will be contacted and asked to donate directly to the Red Cross and send confirmation of payment.

On receiving that confirmation, the relevant author will then contact those winners. In other words, the authors aren’t dealing directly with donations, which go directly to the Red Cross appeal.

If you’re interested in bidding and aren’t sure how to go about it, look at the website’s browsing and bidding page via http://authorsforphilippines.wordpress.com/

That’s about it from me. No pressure, just taking the chance to further spread the word and hopefully help that aid get through.

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Johnny Vegas in conversation with Steve Royle – Chorley Little Theatre

Sign On: Michael Pennington aka Johnny Vegas putting pen to paper in the bar at Chorley Little Theatre (Photo: Diane Gunning)

Sign On: Michael Pennington aka Johnny Vegas putting pen to paper in the bar at Chorley Little Theatre (Photo: Diane Gunning)

“Don’t lock me up after this!” came an impassioned request, delivered in that distinctive St Helens tone familiar to many who’ve turned on a TV these past dozen years or so.

Besides, from Benidorm, Happiness and Ideal to Dead Man Weds, Shooting Stars and QI, there have been a fair few appearances on the small screen.

But he need not have worried about the reaction to his recent public show of self-analysis, for on the whole there’s been a positive response to various outings by this celebrated comic (or entertainer, as he prefers) in support of his autobiography.

That said, those who have got to know him over the years (including Chris Evans on The One Show) tend to say the book’s author is not the man they thought they know.

That’s chiefly because that public persona is a character called Johnny Vegas, while the one chatting on stage at Chorley Little Theatre with locally-based comedian and celebrated juggler Steve Royle was actually Michael Pennington.

Michael was the main man too, even if his name doesn’t grace the front of the autobiography. Johnny’s just his better-known alter-ego. And while there was a lot of talk of split personalities, it all made perfect sense when he explained it.

“It’s really weird being on stage and not being ‘ammered as well,” he confided, after Steve introduced him to a near sell-out audience at this wonderfully-intimate venue, as Iggy Pop’s Lust for Life faded out in the background.

The general rule for me is to beware gigs with an ‘in conversation with’ handle, for fear of something that might leave you squirming in your seat.

Add the premise that this was likely to involve a showbusiness regular baring his soul, and it all suggested something a tad too personal.

Yet somehow we avoided that, despite the subject matter, his co-host proving to be a perfect psychiatrist as well as a potential future chat-show host.

Royle Event: Chorley Little Theatre house manager Carla Martland with Steve Royle (Photo: Ian Robinson)

Royle Event: Chorley Little Theatre house manager Carla Martland with Steve Royle (Photo: Ian Robinson)

Steve carried on where Frank Cottrell Boyce, the celebrated Liverpudlian children’s author and screenwriter, left off the previous night in Michael’s hometown, St Helens, during another ‘in conversation’ and signing event.

And while it was a cosy set, complete with matching armchairs for Michael and Steve, this was no clichéd tears-of-a-clown type confessional, although I’m sure we all learned a lot more about what drives someone to make a living at stand-up.

As he put it himself, explaining the relationship between Michael and Johnny: “It’s always felt like I was his writer and his PR person. I did the cleaning up at gigs and apologising at venues.”

One of the areas where the story of Michael (I’ll try and call him that from here on in) differs from that you might expect for someone so acerbic on stage was the fact that he painted such a happy picture of his Thatto Heath childhood.

And yet – while it would wind up Johnny, who would much prefer the grim memories – somehow Michael avoided an over-sentimental ‘we were poor, but happy’ stand.

That’s something you might not have expected, having seen his Mad Johnny persona over the years, and his co-host, a regular on the same circuit over the years, seemed genuinely surprised too.

Selling Out: The audience at Chorley Little Theatre on the night (Photo: Diane Gunning)

Selling Out: The audience at Chorley Little Theatre on the night (Photo: Diane Gunning)

But while Johnny is, for want of better words, somewhat brash, vulgar and rude, Michael proved to be every bit the genuine nice bloke next door.

After a quick introduction and friendly banter, he was invited to read a few passages from his book, offering snapshots of that childhood, from not being able to sleep for weeks after watching Salem’s Lot to concerns about his mum being part-vampire because of her allergy to sunlight, and believing one of his friends really was half-werewolf, having explained: “I don’t turn into a full wolf, I just get a craving for sausages and chops or owt else meaty when it’s a full moon’.

There’s plenty more of that in the book, and while queuing to have ours signed after this show, a few of us were delving into the hardback version of Being Johnny, courtesy of the promoter, Chorley independent book store Ebb and Flo, included as part of the ticket price.

It’s a cracking read too, and although time was against our hosts, Michael and Steve at least gave us a taste of many of the themes covered within, including those halcyon days in St Helens and his seminary boarding-school stay in Upholland, Wigan.

Johnny's Bag: Michael Pennington shows his support for independent book shops (Photo: Diane Gunning)

Johnny’s Bag: Michael Pennington shows his support for independent book shops (Photo: Diane Gunning)

If you don’t know the story, Michael was training to be a priest, having decided at a tender age that his future was in the Catholic church, and sent away to take that further. And perhaps that’s where you grew to understand more about how Johnny evolved, his alter-ego created out of a coping mechanism.

In short, Michael didn’t want to let his family and neighbours down when it slowly dawned on him that this wasn’t the life he hoped it would be. Yet by the time he’d switched to a state school, the constant ribbings had made their mark, inspiring his inner rebellion to give rise to a more outspoken version of himself, in turn becoming the public figure we got to know so well.

And yet despite all of that, Michael stressed a genuine love and respect for his Dad, who assisted his move to the seminary and later his state school. While Johnny gave his Dad a hard time in his anecdotes, Michael’s quick to pay his respects.

johnny-vegas-jacket-largeHe found ‘no joy’ in the faith and in practising it, comparing it to a spell in borstal. Yet there were some tragic-comic moments during that spell, not least the tale of the celebration meal when the priests (mistakenly) left out a decanter of sherry and he got drunk for the first time. Later that day, he played his part in a nine-hole golf tournament while under the influence, having ‘turned into an 11-year-old pub bull-shitter’ as he put it.

It’s pointless going into too deep an explanation here, but it’s all in the book. And while Michael and Steve’s 75-minute laid-back chat was a pleasure to witness, it only really scratched the surface.

Despite that earlier plea not to be locked up, Michael was happy to talk about the voices he heard over the years – not just Johnny, but also those asking where his keys were or if he needed any Gaviscon, an illuminating insight into the life of a self-confessed hypochondriac.

Then he delved into his disastrous track record with women, and included a brilliant story involving his Dad, a porn mag and the bathroom radiator. Buy the book and read the rest yourself.

We got through a lot too, including his Middlesex University art and ceramics studies (‘You wouldn’t believe it, but before Strongbow my brain worked at a normal capacity’) and first days as a stand-up, under the handle Mad Dog Mike Pennington.

One great anecdote involves the night he risked a public hanging on Merseyside with a false bingo game, luring an until-then disinterested crowd by reading out random numbers until he had their attention. Again, his story illustrates just where Michael left off and Johnny took over in a live situation.

He said: “They all went berserk when they realised they’d been had. It’s like coming out of a fever when Johnny’s finished. He’s put the mic down. He’s been dancing around with his kecks rounds his ankles, singing Love on the Rocks by Neil Diamond, denying them bingo, then just left the room, saying you’ve been a wonderful audience.”

There were lots of fresh laughs on the night of his talk too, not least when one bounder somehow legged his way up on to the stage to get his book signed at the end, to avoid the queues.

For sheer cheek, he got away with it, Michael – after a couple of outbursts from Johnny – taking an age to sign his book from both himself and JV, as he did with everyone else.

As it turned out, that proved a shrewd move, for the book-signing pace didn’t increase from there, each punter sent home happy after a golden chance of not just two signatures but also a memory to treasure.

Meeting Johnny: Ebb & Flo owner Diane Gunning and her daughter Isobel, 11, with the star of the show  (Photo: MartIn Horton)

Meeting Johnny: Ebb & Flo’s Diane Gunning and daughter Isobel, 11, with the star of the show (Photo: Martin Horton)

He finally left the venue at 3am, five and a half hours after he started signing, even then taking home a few of those left by punters who had to catch their last train or bus. To his credit, they were returned – beautifully signed – to Diane Gunning, the owner of Ebb & Flo the following day. And I can vouch for that, having picked up one myself.

So what did we learn from the experience? That intimate gigs can actually work, that Johnny Vegas was so much more than just a run-of-the-mill comic character, and that Michael Pennington is a downright good bloke.

* Thanks to Diane Gunning at Ebb & Flo, Gillibrand Street, Chorley, and Ian Robinson at Chorley Little Theatre for their help with this feature 

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Frank fires Fleming’s thrilling time-travelogue forward

In which the blogger runs the rule over Frank Cottrell Boyce’s 2013 publication Chitty Chitty Bang Bang Over The Moon.

CCBB moonThere’s a sense of being a big kid yourself when you’re a children’s author, the magical element of a Peter Pan refusing to grow up and conform with expected norms and rules.

And the imagination clearly remains King for revered Liverpudlian author Frank Cottrell Boyce, judging by his trilogy following the adventures of the Tooting family and a certain classic car.

For those not yet in the know, I should explain we’re talking about the officially-endorsed sequels to James Bond creator Ian Fleming’s 1964 hit Chitty Chitty Bang Bang: The Magical Car, famously immortalised in film four years later in the hit Roald Dahl and Ken Hughes-penned Sherman brothers-scored musical.

Now, 49 years after Fleming’s success, Cottrell Boyce (let’s call him FCB from here) has completed a third sequel, Chitty Chitty Bang Bang Over The Moon, and despite the continued absence of luscious Sally Anne Howes’ character in any of the books, the result is – again – truly scrumptious.

Let’s back up a second, and explain that Frank (forget FCB, I’m going with Frank now) re-imagined the original in late 2011 with Chitty Chitty Bang Bang Flies Again then again a year ago with Chitty Chitty Bang Bang and the Race Against Time (with a review of the latter to be found here).

He's Frank: FCB on board with his Chitty Chitty sequel trilogy

He’s Frank: FCB on board with his Chitty Chitty sequel trilogy

There’s no doubting his suitability for the task either, and I can honestly say his first three novels (admittedly aimed at a slightly older 9/12 audience) are among my favourite-ever children’s novels. But this isn’t about Millions (based on Frank’s own script for Danny Boyle’s film of the same name), Framed (as televised for the BBC) or Cosmic (in production as a film now, I believe), nor his part in scripting so many other hit films or the 2012 Olympic Games’ opening ceremony.

While lesser authors might put less thought into books aimed at a younger audience, Chitty Chitty Bang Bang Over The Moon is one that should appeal to children and adults alike, and Frank clearly had a ball writing it, not least through the often OTT situations he finds himself describing (or should that be OTM?).

In a nutshell, Frank has taken Fleming’s chassis and transplanted it into a 21st century mindset, and whereas until now his Chitty Chitty stories have followed the Tooting family from Basildon, Essex, this time we also get to meet the Bond creator’s Pott family too.

Furthermore, there are continuing nightmares in store as evil genius Tiny Jack and his creepy Nanny (maybe not up there with the Child Catcher, but worrying enough) are embroiled in a further outlandish plot involving the audacious theft of Big Ben, the Taj Mahal, Stonehenge and other notable wonders of the world.

Worse still, we start back in 1966, where it appears that clock-napping Tiny Jack’s robbed us of our only World Cup victory too, with Germany turning out to be 3-2 victors.

Drawing Power: Joe Berger

Drawing Power: Joe Berger

Three books in, we know how the Tooting family roll now, their inventive Dad and arguably more street-wise Mum often outwitted by their children. That’s surly and dificult yet gifted and sassy teen Lucy, and her brother Jem, Chitty’s navigator, co-engineer and all-round deep thinker. And this time – while perhaps growing weary of time travel – the family know they can’t go back to their old life until they’ve safely found their kidnapped youngest family member, dinosaur-loving adventurer Little Harry.

We also get to understand how Fleming’s original family tick, Commander Caractacus Pott, wife Mimsie, and their children Jeremy and Jemina. But the car’s the real star, a certain Paragon Panther that has become part of both literary and cinematic history.

Collectors' Items: The original three-volume Ian Fleming book, illustrated by John Burningham and published by Jonathan Cape. (Photo: http://www.bathbookfair.org/)

Collectors’ Items: The original three-volume Ian Fleming book, illustrated by John Burningham and published by Jonathan Cape. (Photo: http://www.bathbookfair.org/)

The result is another six-cylinder 300hp Maybach Aero-driven adventure that the car’s original playboy owner Count Louis Zborowski would be proud of. And, to paraphrase Mr Tooting, the word today is ‘fasten your seatbelts’.

There’s an added winning element in the evocative illustrations of Joe Berger too, telling part of the story himself, adding effective glimpses of that extraordinary world the Tootings and their new friends find themselves in.

Frank takes that spirit of adventure of the first two books to a whole new level, up into space in fact, and you can tell – as was the case with the wonderful Cosmic – this isn’t something he’s just researched in the last year or so.

For the author is a product of his time – that 1960s era when we really felt space travel was the future and all those scientific achievements were taking us to a whole new world of exploration. But where are we five decades later with all this technology? Well, we have got the internet, which Mrs Tooting explains to the Pott children is ‘a kind of invisible global network that allows people all over the world to show each other photographs of amusing cats’. Touche.

So at 2.50pm on July 30, 1966, the Tooting family find their modern currency means nothing to a Wembley Stadium tout asking two guineas each for tickets to the big match, further suggestions that they’ll just get more money from a hole in the wall bringing increasing bewilderment.

Among all the in-jokes and fun, fun, fun (as Tiny Jack and his Nanny would have it), there are deeper themes too, not least the mind-blowing concept that maybe Chitty Chitty exists in two time zones, its Chronojuster dial switched to brain-overload setting.

Samba Roots: FCB's original sequel from late 2011

Samba Roots: FCB’s original sequel from late 2011

For while the rescue of Little Harry is a priority, the bigger crime appears to be Tiny Jack’s continued time travelling villainy, and this from someone who plays Snakes and Ladders with real snakes and What’s the Time, Mr Wolf? with lupine extras.

There are special guests too, not least an Aston Martin DB5 that would have left Fleming purring (‘the word today is British engineering at its finest’, says Mr Tooting), and Her Majesty the Queen, who just happens to know a top-secret route that will take the family between Tower Bridge and rural Essex in super-fast time.

We also get to re-meet the family’s classic ’60s split-screen VW Samba bus that initially took us on this outlandish journey, back at its Bucklewing Corner scrapyard, and visit Commander Pott’s hush-hush workshop, where his inventions include a few that have caught on and many that have not – from square potatoes, anti-gravity paint and burst-proof bubbles ideal for space exploration, car sun domes, edible gramophone records, and mobile phones. I’ll let you decide which are which.

Meanwhile, young Jeremy and Jemina Pott appear to be children of their time, one carrying no end of boy’s own gadgetry and the other happy to make the tea and work on needlecraft while secretly intellectually out-shining most of her contemporaries.

There’s so much more, not least a board game called Destruction, a trip to the North Pole, a return to Tiny Jack’s gargantuan Chateau Bateau private spaceship, and a Marsh of Decay moon landing which bemuses the 1971 US crew of Apollo 15 (not helped by Mr Tooting’s  scrawled message: ‘We’re not aliens. We’re from Basildon’).

Then there are the unfathomable questions, not least how long one tank of petrol will last for a super-charged car heading for the stars. But we’re always in safe hands with Frank, and the result is yet another FCB success story.

* Chitty Chitty Bang Bang Over The Moon is published by Macmillan Children’s Books (2013), and available from all good bookshops.

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Kershaw still switched on, with an appetite for adventure

Two Johns: Andy Kershaw in the shadow of giants, on stage at the Hay on Wye Literary Festival, June 2012 (Photo: http://www.andykershaw.co.uk/)

Two Johns: Andy Kershaw in the shadow of giants, on stage at the Hay on Wye Literary Festival, June 2012 (Photo: http://www.andykershaw.co.uk/)

In a more in-depth version of a feature he did for the Lancashire Evening Post, the blogger talks to a forthright broadcaster who’s seen more than his fair share of drama over the years – on and off air.

A bluffer’s guide to Andy Kershaw on his official website offers a wealth of information about this iconic broadcaster’s eventful career.

The 53-year-old has seen his fair share of dramas and TV, radio and print firsts, much of which is covered in his acclaimed autobiography No Off Switch.

It’s certainly been a full-throttle career for this motorbike-mad Rochdale lad so far, one he gives a glimpse into in his one-man show, The Adventures of Andy Kershaw.

That show dropping in at The Continental in Preston on Saturday, November 2nd (see footnote at end of feature) proved a good excuse for me to catch up with this award-winning DJ and investigative journalist.

Besides, I hadn’t seen him in person since an early That Petrol Emotion gig at the Pindar of Wakefield, London WC1 – now the Water Rats Theatre Bar – in the summer of 1985.

In a pub whose former imbibers apparently included Vladimir Lenin, Bob Dylan, Peggy Seeger, Dominic Behan and Ewan MacColl (yes, not just Dylan but fellow acclaimed songwriting pair Lenin/MacColl too), that night – like many others around that era – went down in folklore history for myself and my fellow giggers.

Not just because there was such a buzz about Damian and John O’Neill’s post-Undertones band, but also because it was the night my brother attracted this fresh-faced Radio One-by-default DJ’s attention as he made to leave the venue late on.

To be fair, a few drinks had been consumed, but as he shouted ‘Andy!’ we assumed it was someone he worked with. But no, we quickly clocked his identity, and to his credit the somewhat self-conscious presenter answered a question about his level of enjoyment with a rather under-stated, “They were quite good in parts, weren’t they?” in those tell-tale Northern tones.

Andy then sidled off into the night, and for years to come, whatever heights an artist reached, we’d often use that self-same yardstick, agreeing that a band – however good they appeared – would never be more than ‘quite good in parts’.

I’d like to think that the following interview with the man himself was in itself quite good in parts. But you can be the judge of that.

ak_adventures_thumbAndy’s (later cancelled) Continental appearance follows a booking from Preston indie and alternative music promoter Enrico La Rocca, following on nicely from his Tuff Life Boogie series of UnPeeled dates at the same venue, marking the ninth anniversary of the death of the man he once shared a messy office with, the revered John Peel.

From his days promoting gigs at Leeds Uni to time as a driver and roadie for Billy Bragg and a TV presenting break on Whistle Test and in turn Live Aid in1985, it’s been a busy life for this enthusiastic music and world affairs aficionado.

That included spells working for The Rolling Stones and Bruce Springsteen, along the way amassing a record collection weighing more than seven tons, one now slowly being re-located to his home in Todmorden, just across the West Yorkshire border and 10 miles from his Lancashire hometown, where his mum still lives.

So why Todmorden?

“I’m in that lucky position where I’m able to live anywhere, determined only really by price. I saw a lot of houses that fulfil 70/80 % of what I was looking for and was then alerted to this one which fulfilled 100% and was also a steal. I don’t need some Northern kitchen sink 1960s drama set to get back to my Northern roots, far from it. I’ve lived here almost a year and can probably count the number of visits I’ve made back to Rochdale on one hand.”

After all your travels over the years with work, have you any big trips afoot?

“No, just travelling around the country. In one sense I feel an affinity with Bob Dylan. Like Bob I appear to be on a never-ending tour. It isn’t a tour as such, if anyone wants me to do one of these one-man shows at a literary festival or something at a small theatre or arts centre, when we agree satisfactory terms I just go and do it. For most places in the UK, unless it’s Devon and Cornwall, North of Blackpool or Edinburgh, I can generally do my gig and drive home after at night on quiet motorways, and just do them whenever, which his how I got booked for Preston, at the Continental. The other thing I’ve realised in the last 12 months is the ubiquity of things like Facebook. It’s wonderful, I no longer need a booking agent! People like ‘yer man’ in Preston (Enrico La Rocca) is a good example. He just popped up on Facebook and left me a message asking ‘would I like to do a gig in Preston?’, and I said sure. It’s wonderful in that sense, and that’s how I’m doing most of my gigs now.”

It says on your website you’ve visited 97 or 194 countries. Does that suggest you want to tick off the rest?

“No, I’m not doing this numerically, I visit countries because of some interest to me for one reason or another.”

Taking Aim: Andy Kershaw with the bushmen of the Kalahari, Namibia, September 2010, for BBC Radio 3's Music Planet series. (Photo: Marvin Ware)

Taking Aim: Andy Kershaw with the bushmen of the Kalahari, Namibia, September 2010, for BBC Radio 3’s Music Planet series. (Photo: Marvin Ware)

Is your celebrated love of World Music a big influence on those travels?

“In some cases it’s been the music. But there are a variety of reasons. The roots of everything really, whether it’s the music of the war reporting, is journalism and is there a good story. Is there something I find fascinating and in which I want to immerse myself.” 

I guess I was first aware of that through your championing of various Zimbabwean bands on your Radio One show in the mid-80s.

“Zimbabwe back then was an irresistible place for me. For particularly historical reasons, the music there at that point at the end of the1980s was especially brilliant, as I explain in the book in more detail. It was a lot to do with the honeymoon period following independence in 1980.” 

You certainly turned me on to a lot of that music, between yourself and John Peel – from The Bhundu Boys to the Real Sounds of Africa.

“Well, at that point, Zimbabwe was over-flowing with world-class bands.”

You’ve mentioned how your vinyl LP and CD collection weighs around seven tonnes. What size are we talking about there? And is that all in Todmorden?

“Not at the moment, but it will be. The CDs are here, the vinyl is still in storage in a warehouse until I can get the shelving done. This whole shelving business has been a work in progress now for 12 months. My CDs, my LPs, and my huge book collection, it’s taking a long time to get all this stuff done. The CDs alone cover two walls floor to ceiling in my office!”

Have you been won over by the digital download revolution?

“It’s music for convenience more than anything. If I need to get hold of a piece of music – and this has been true while my collection’s been in storage – platforms like YouTube and iTunes are very useful, and I carry around a few things on my mobile phone.”

Switched On: Andy's narrowboat life, December 2011, on the Shropshire Union Canal. (Photo: Bill Saner)

Switched On: Andy’s narrowboat life, December 2011, on the Shropshire Union Canal. (Photo: Bill Saner)

Ever think while growing up in Rochdale that you might end up broadcasting on Radio One, let alone Radio Three and Radio Four?

“No. One of the extraordinary things about what happened to me in the mid-1980s, was I became a Radio 1 DJ crucially with a free hand to choose my own music. There were very few DJs that had that freedom. I became a Radio 1 DJ without ever having any ambitions to become one, and without even trying. And as far as I know I’m the only one in the station’s history who can claim that distinction. It happened by accident. I was already presenting Whistle Test on BBC Two when Radio One offered me a radio programme. When I was a kid in Rochdale in the early and mid 1970s you just didn’t think those sort of things were possible. It was a series really of happy accidents.”

Do you still miss the two Johns – Messrs Peel and Walters?

“Oh, I do. Enormously, because they were more than just work colleagues. They were like soul brothers. They were almost like family. Especially Walters, who took if not a paternal then an avuncular attitude towards me. He wasn’t just my protector professionally, he safeguarded the Peel and Kershaw programmes on the airwaves, justifying them to the BBC. Also, it went further than that for me. In all aspects of life Waters was a great source of wisdom and guidance for me, whether it was the right choice of girlfriends or telling me how to go about buying a flat, anything and everything. Waters was an amazing man, and to anyone who knew him closely, he filled all available space in your life. He was such a big personality.”

Your (later cancelled) appearance at the Continental provides a fitting postscript to the promoter’s series of events to mark the anniversary of the passing of John Peel. He was clearly a major influence on you, wasn’t he?

“Absolutely, along with thousands of others, he broadened my musical tastes and horizons. He was largely responsible for the wide-ranging tastes, and as a broadcaster I learned so much – albeit sub-consciously – from listening to him. He was one of the great naturals of broadcasting.”

You mentioned John Walters’ advice, and no doubt that included a sage bit of advice about who to steer clear of as well, some of those who have since popped up in the news.

“Well, I wrote a piece for the Sunday Telegraph in the earlier part of this year when I’d reached a point of exasperation with a lot of the nonsense and lies that many people in the media were spewing about Jimmy Savile, rewriting history and their own part in that history. So I wrote a piece with a few realities, and one of those was that almost as soon as I arrived at Radio 1 in the summer of 1985, Walters told me to steer clear of Jimmy Savile. It was widely known all over not just the BBC, but all over the media and throughout showbiz circles that Savile was a wrong ‘un.” 

Zep Steps: Andy with Robert Plant at the 1995 Isle of Man TT races (Photo: http://www.andykershaw.co.uk/)

Zep Steps: Andy with Robert Plant at the 1995 Isle of Man TT races (Photo: http://www.andykershaw.co.uk/)

Whistle Test was our first sight of you. I can still see you know enthusing about bands like the Long Ryders, and pretty soon had gone out and bought I Had A Dream. Were those good days?

“It was wonderful, this was a programme along with the Peel show on the radio, a programme that was so formative in my youth, in shaping my musical taste and introducing me to so many artists that I wouldn’t otherwise have known about. Also you have to member in the days of The Old Grey Whistle Test in the ‘70s, with Bob Harris presenting, that was the only place! There wasn’t a proliferation of music programmes and TV channels as there is now. That was the only programme and the only place you could see a lot of those artists perform, those you’d only read about in the music papers or perhaps heard on record or on the Peel programme. I was introduced to so many of those artists through Whistle Test and with many of them I’ve almost formed life-long relationships, people like Little Feat and Kevin Coyne, Rory Gallagher, Bob Marley and the Wailers.”

Jools Holland is one of the few who presents such a show today, isn’t he?

“Well, what they did was re-invent Whistle Test, gave it a presenter, a studio audience and called it Later with Jools Holland.”

I’m guessing you feel there’s room out there for something else?

“There’s room out there to bring back Whistle Test! There’s still an appetite and demand for the kind of music Whistle Test used to feature ….”

I believe you have more Sony Awards than any other broadcaster?

“Apparently so.”

Is there anything you’ve received in the way of plaudits that means more to you than the rest of those accolades?

“I would say it’s recognition from those people I really admire in their fields. So the tributes I’ve received for the book, the things Stephen Fry said, and I just thought, ‘by God’, because I’m as huge admirer of Stephen, and he’s been making me laugh like a drain for more than 30 years. In another area, to have Fergal Keane say such kind things, from the rock’n’roll world, Pete Townshend, and again from the foreign correspondents’ world, Dame Ann Leslie, for whom I’ve got huge admiration. I’ve worked in the field with Ann in a difficult place like Haiti, and she is the goddess of foreign correspondents. Coming from those kind of folks it means the world, really.”

You mentioned Bob Dylan before, and he’s doing the rounds again at the moment. Will you be going to see him on this tour?

“No. The proper time to see him was in 1966, and I was too young then. I went to see him in 1978, and I’ve tried several times since, and he was absolutely dreadful … I wouldn’t go again … It’s one of my great regrets that I wasn’t old enough to see him in ’66. If I were able to travel back in a time capsule in history, one of those journeys would be to see him on that electric tour with his band, when he was at the peak of his powers.”

Would you let the guy who shouted Judas go with you?

“I’m afraid John Cardwell’s dead. I made a documentary about it. He and I actually became good friends, and he turned out to be a really nice guy. I’m afraid he died in 2001, from a bee sting.”       

Lit Up: Andy after a ride on a TZ 350 Yamaha at Donington Park in August 2012 (Photo: John Saner)

Lit Up: Andy after a ride on a TZ 350 Yamaha at Donington Park in August 2012 (Photo: John Saner)

Ever crossed your mind you might have settled down with Courtney Love and changed the face of ‘90s music?

“Not at all. As I say in the book and recount the incident, I didn’t know who she was. She wasn’t well known at that stage, she was a hustling young actress trying to get parts in some film in London …”

Would you ever change your mind about appearing on I’m A Celebrity Get Me Out Of Here, which I believe you once turned down?

“I don’t think so. They approached me once, I didn’t even know what it was. The kids had to tell me what it was. When they told me, I turned it down. They (the programme makers) were absolutely astonished. I don’t think they were accustomed to people turning round saying, ‘Do you know what? I’m not even interested …”

Do you get nervous before live shows?

“No. I enjoy them. Almost by definition of people coming along, I’m among friends and supporters, and I love just going out there and giving them a good time, regaling them with a few robust anecdotes.”

And is it fair to say your life’s back on track again after a pretty difficult (and well-documented) time a few years ago?

“Well, yes, of course. It’s seven years ago, all that on the Isle of Man, and self-evidently, I’m reporting regularly for The One Show, have written an autobiography … That’s a long time ago … My crime was to want to see my children. Oh, and by the way, my children wanted to see their Dad.”

You’ll note that there are a few bits here and there where I’ve trailed off while Andy’s been at his most impassioned … notably in his opinions on Jools Holland’s presenting, Bob Dylan’s last 45-plus years as a performer, Courtney Love’s formative UK days, and the Manx legal system. Hopefully that doesn’t dilute the finished product. For more on those lines, check out his autobiography and own published writing. But as writewyattuk doesn’t have a big-shot lawyer on its books, I’ll stay on the fence.

Andy-Kershaw-No-Off-Switch* For more about Andy and how to get hold of No Off Switch, head to his website here

* Thanks to Enrico La Rocca for his help in setting this up, and the Lancashire Evening Post, where an earlier version of this interview was first published.

* In something of a sad footnote, I should point out that Andy Kershaw’s show at the Continental was pulled during the final week after low ticket sales, promoter Tuff Life Boogie unable to bear any further losses after his UnPeeled series of gigs in Preston, which included successful shows by the likes of The Primitives and Nic Jones. 

Kershaw announced on his Facebook page: “I’m afraid my gig at Preston’s Continental next Sunday has been cancelled. The promoter has lost quite a lot of money, alas, on other recent gigs and has decided he cannot continue organising events for the time being. I hope he’s soon back in business. Sorry for any inconvenience this may have caused. All other Adventures of AK gigs are still on, and they are listed on my website.” (link here).

Posted in Books Films, TV & Radio, Music | Tagged , , , , , , , , , , , , | 2 Comments

Weller’s ever-changing mode

backgroundPaul Weller – Preston Guild Hall

I’ve seen Paul Weller a fair bit over the years, and each and every time he’s an inspiration.

But what made Saturday night’s appearance at Preston Guild Hall stand out was perhaps the highly-sociable demeanour of the front-man.

No disrespect intended, but he can – at least publicly – come over as a bit of a surly bugger at times, his cool on-stage persona and gruff manner often misunderstood.

But at the Guild Hall this time around, you got the feeling he was on a personal as well as creative high, digging the experience, his high spirits nothing short of infectious.

images (2)I could be churlish and say this didn’t quite compare to my own particular Weller high, a Guildford Civic Hall performance between the releases of Wild Wood and Stanley Road in March 1994.

I’ve loved near on everything’s he’s done since, but for me that era when he put the Style Council to bed and first found his own feet was defining.

In the old days of chewed-up cassettes, his debut solo album and follow-up Wild Wood were more or less on loop in my car and something of the fabric of my life.

That carried on with Stanley Road, and while a lot happened with Paul’s and our own lives in the following years, he remained a respected if not aloof surrogate uncle for me and many others.

Sonik Driver: Paul Weller

Sonik Driver: Paul Weller

He’s proved himself time and again since, and the last trio of albums have been pretty startling, not least 2008’s 22 Dreams and last year’s Sonik Kicks.

His set at Preston at the weekend proved the might of that recorded output, seeming to just dip in and out of 10 solo albums at will, while throwing in three ’80s classics.

Paul’s year 2000 gig at the same venue illustrates my earlier point. It was the first real night out for the better half and I after the birth of our eldest daughter, and great as the set was in that Heliocentric period, he didn’t seem happy on the night. It didn’t overly bother me though. This was Weller after all.

Numbers Game: 22 Dreams

Numbers Game: 22 Dreams

While there was a far better on-stage vibe last time at Preston in late 2009 – between 22 Dreams and Wake Up The Nation – I was particularly ill that night. Everything went very fuzzy just before the encore – a superb night sullied by a virus that left our mate Jim bailing out of our big night to drive us home.

I’ve since seen footage of those last songs, but still come out in a sweat as I transport myself back to that fateful night.

Saturday was different though, and from the moment The Who’s La-La-La-Lies rang out over the PA, I instinctively felt we were in for a good ’un.

Weller may be more chatty on stage these days, but clearly hasn’t lost his hard drive, and it must test his band-mates keeping up with this re-invigorated 55-year-old.

Loyalty Bonus: Steve Cradock

Loyalty Bonus: Steve Cradock

At times it was like watching footballers taking drinks breaks on blazing hot afternoons, the water bottles coming in handy between songs for long-time sidekick guitarist Steve Cradock and mighty bass presence Andy Lewis.

Yet as well as Weller’s direction, there’s a further youthful vibe provided by Liverpudlian drummer Steve Pilgrim, plus The Moons’ keyboard player Andy Crofts and percussionist/whatever-else-ist Ben Gordelier.

There’s still plenty of edginess too, the band straight away tearing into Wake Up The Nation, From The Floorboards Up and 1993’s seminal Sunflower.

My first big surprise came with Bull Rush from the debut solo, complete with its Magic Bus out-tro, still every bit as powerful.

As Is Now’s Come On Let’s Go then took us back into rock’n’roll masterclass territory, before the wondrous Seaspray from 2008. It’s difficult to match the recorded version, but the band did alright.

Then came the worthy Ronnie Lane tribute He’s The Keeper, and while the audience maybe weren’t too sure how to receive that, a feelgood factor returned on a Curtis Mayfield-like run through Style Council fave My Ever Changing Moods, 29 years after its release.

The bright and breezy vibe continued with last year’s The Attic before another welcome Weller curve-ball, a gloriously-wistful Going Places from 2002’s Illuminations.

Street Cred: Stanley Road

Street Cred: Stanley Road

A lump came to the throat for this scribe as the band launched into near-perfect Friday Street from 1997’s Heavy Soul, then tackled Stanley Road’s immense Porcelain Gods, again to good effect.

It was nice to hear the crowd in good voice for 1992’s Above the Clouds, this turning into something of an unexpectedly-mellow evening after that initial salvo.

Last year’s perfect pop of That Dangerous Age was next, followed by the brooding Dragonfly, and while that seemed to catch the crowd out, as if not quite sure how to react, perhaps they were just happy enough to catch their breath.

The Private Hell-like bark of 7 & 3 Is The Striker’s Name jolted us all back either way, while Peacock Suit was a more user-friendly triumph, as you might expect.

And then they were gone on the back of 1980’s Start, which will never fail to please.

I think the bookies might have stood to make a few quid from punters perming the next four songs in that first encore from the hundreds Paul has recorded these last 35-plus years.

But it was a winning combination all the same, from Stanley Road’s up-lifting Out of The Sinking to 2010’s dreamy Andromeda and beyond.

Malice Springs: A further sign of Weller's continued relevancy

Malice Springs: A further sign of Weller’s continued relevancy

Heliocentric’s wistful Picking Up Sticks was next, giving rise to Pilgrim taking on where fellow Steve White left off a few years before, and then there was last year’s beautifully-introspective Be Happy Children, the main man still ensconced at the piano.

But glorious as all that was, Paul couldn’t leave us on such a mellifluous moment, returning with guitar in hand for the beatific Wild Wood, then sending us on our way with The Jam’s A Town Called Malice, every bit as fresh and relevant today as in 1982.

* With thanks to Hannah Slater & Preston Guild Hall

* For a link to the April 2012 writewyattuk take on Sonik Kicks, click this link

* To read the writewyattuk interview with Bruce Foxton, go here

* And for the latest news from the Weller camp and forthcoming live dates, head here 

Posted in Music | Tagged , , , , , , , , , , , | 5 Comments

Still rolling after all these years – the Bill Wyman interview

Kings Swing: Bill Wyman and his band in action (Photo: http://billwyman.com/)

Kings Swing: Bill Wyman and his band in action (Photo: http://billwyman.com/)

Hard to believe, maybe, but Bill Wyman turns 77 later this month. Yet that’s not stopping him going out on the road again – for a mammoth 27-date UK tour with his star-studded band.

Furthermore, few people will have given him credit for being on the road and in the studio with the Rhythm Kings for the last dozen years, let alone being happily married for the past 20 years. Most of us still associate him with his three decades as a Rolling Stone and notorious past prowess in other areas.

Bill, born William George Perks on October 24, 1936, was with the Stones from 1962 until 1993, and was famously reputed to have bedded more than 1,000 women over the years.

One of those affiliations in particular sticks in the national conscience, his short-lived 1989 marriage – Bill’s second – to 18-year-old model Mandy Smith and their prior relationship, going back to when she was 13.

But while stories occasionally resurface about that period, it’s worth noting that Bill has been with Suzanne Accosta for two decades now, and the couple have three daughters, aged 19, 17 and 15.

Furthermore, despite the odd reunion with the Stones and continuing friendships with members of the band, Bill has been out of that particular rock’n’roll loop for 20 years.

Still Touring: Bill Wyman's Rhythm Kings, coming to a town near you (http://billwyman.com/)

Still Touring: Bill Wyman’s Rhythm Kings, coming to a town near you (http://billwyman.com/)

And while Mick, Keith, Charlie and Ronnie made the headlines at Glastonbury 2013, Bill and his own band were on that same weekend bill, enjoying a rapturous response of their own in rural Somerset.

Perhaps understandably, it was suggested I shouldn’t ask questions about the Rolling Stones when I was put through to Bill at his Chelsea base. But as it turned out, he was more than happy to talk – of his own volition – about some of those halcyon days.

But the main focus was his forthcoming month-long tour with the Rhythm Kings, a gruelling schedule for any musician, let alone someone in their late-70s.

That tour starts at Dartford’s Orchard Theatre on October 28, and ends at Plymouth’s Theatre Royal on November 30, with my excuse for catching up an appearance at Preston Guild Hall around half-way, on Friday, November 15.

What I should add at this point is just what a top bloke Bill proved in our over-far-too-soon 15-minute conversation, happy to talk about all sorts, and clearly looking forward to his forthcoming tour. And this is how our chat went.

So is it nice to be going back out on the road?

Yes, it’s always nice. We usually do Europe in the Spring, but didn’t this year because I was working on a book and didn’t have time. But we did about six festivals in the summer, including Glastonbury and a couple in France, so that was nice. And I got a bloody award in Colne, Lancashire, where we did a blues festival! That was great. We had a great audience there, a great time, and they gave me this wonderful blues legend award for me and Chris Farlowe. Obviously looking back to the ’60s!

download

And you’re getting another this month (the British Academy of Songwriters, Composers and Authors’ Gold Badge, recognising Bill’s ‘outstanding contribution to music’) at The Savoy in London.

I’ve got more awards on my own when I’ve been with the Rhythm Kings than I ever got with the Stones, who hardly ever got awards. Amazing. They always bypassed us, because those that be didn’t really like us – the media and all that. So we never really got awards like that. And these are nice awards because they come from your contemporaries from the music business, so mean a bit more than just a bunch of fans voting for their best mates.

You’ve a lot of tour dates coming up, haven’t you?

We have a couple of days’ rehearsal before starting off in Dartford four days after my birthday.

That’s another big birthday, isn’t it?

They’re all big ones these days! But we need the rehearsals, as we’ve got to run through seven new songs for Maria Muldaur, including Midnight at the Oasis, quite a complicated song with lots of chord and key changes. We also have a few new songs, some old stuff and some of our favourites. There’ll be a nice mix, as there always is. It will be fabulous, as it always is. We’ll have great audiences, it’ll be a great time.

That’s quite a band you’ve got, isn’t it?

It’s the same band we started with amazingly. It fluctuates a bit over the years, but when I look back to when we started it’s the same except for the keyboard player.

Halcyon Days: And Bill was there for Georgie Fame's breathrough gigs

Halcyon Days: And Bill was there for Georgie Fame’s breathrough gigs

Ah yes … the keyboard player. You have Georgie Fame coming in! I’m a big fan. In fact, Rhythm and Blues at the Flamingo (released 50 years!) is one of my favourite albums of all time.

That was great stuff, and we (The Rolling Stones) used to support him there in the early days. We were in awe of him. Mr Cool, we called him! That jazz he used to sing, a bit like Mose Allison and people like that. Absolutely brilliant.

There were a few American GIs in that audience too, weren’t there?

Oh yeah! They used to follow us around too, because they knew the Blues, which was kind of new to the British audience then.

That must have been a big influence on you.

Guitar Legend: Albert Lee

Guitar Legend: Albert Lee

Georgie was always one of my favourites and I did play some gigs with him. I did a 25-year tribute at the Marquee with Alexis Korner, Georgie, Charlie Watts and some other people. I was always a great fan and in awe of him, so it was wonderful to get him in the band. I was a bit scared to ask him actually. I had Andy Fairweather-Low in the band then, so asked him if he could ask Georgie to join my band. He said ‘come on, do it yourself!’ I said ‘no, I’m nervous’. So he called him, and we’ve been together ever since! We’ve also got Albert Lee, a wonderful guitar player. He’s been with us since the beginning and he’s every guitarist’s favourite guitar player. Then there’s Beverley (Skeete), our wonderful rhythm queen. And the band are still the same. We’ve got two horn players who are very entertaining on stage, and play a variety of instruments.

And you all get on well together?

Oh yes, otherwise we wouldn’t do it!

That was always the intention, wasn’t it? You’d moved on from the big world circuit to something you always said would just be for fun.

Yeah, fun and no pressures, no worrying about charting and all that, just go out there, have a really great time and play some good music. And that’s the way it’s continued. I didn’t think it would last very long. I thought maybe just a couple of years. But we’ve been so popular over the years, and got such a following now that when we play the English tours we’ve people coming from Germany, France and Belgium, Holland, sometimes Australia and America, just to see us. We’ve got this cult following and its great to have it … so we continue!

Rhythm Queen and King: Beverley Skeete and Georgie Fame

Rhythm Queen and King: Beverley Skeete and Georgie Fame

Your sound and ethos has been popularised by Jools Holland and his band too, hasn’t it?

Yeah, they’re the only other band like us, except they don’t cover the same scope or variety. But they’re fortunate they’ve got TV and radio. We don’t have either of those. They get a lot of promotion like that, we have to fight for ours. We cover a lot more variety, going from jazz to blues to soul music to rockabilly like Gene Vincent and ballads. We also do Cajun music too and they don’t. But they’re a good band too.

Is there an element of paying your musical dues with the Rhythm Kings?

I wouldn’t think of it as that. It’s more reviving some fantastic tunes from your past, by wonderful people like Jackie Wilson, Ray Charles, Fats Waller, Billie Holliday and all those kind of people, but also people from the ’50s, ’70s, JJ Cale, Creedence Clearwater Revival … We’ve got over 200 songs to choose from, either live or on albums. So it’s hard to choose what 20 you’re going to do on a tour.

Does that cause arguments?

We never have arguments! I might suggest a Jackie Wilson song and Beverley might suggest another Jackie song. We have that kind of positive choice, not arguments.

How’s life on the tour bus?

We always go on the bus, all low profile. The others listen to music or sleep, but four of us sit at the back and play cards, as we’ve done for 12 years. And its great, a new venue every night, with little time off. Maybe we’ve three days off during the tour.

Past Days: 1967's Between the Buttons, with Charlie and Bill pictured right

Past Days: 1967’s Between the Buttons, with Charlie and Bill pictured right

Those 27 dates in barely a month must take their toll.

Charlie Watts phoned up the other day and said ‘that tour – I can’t believe you can do that, you’re doing so many shows in such a short time!’. With the Stones now, they’re doing one every three or four days, because of building, taking down the stage and all that. So he’s not used to this. But I am, because that’s the way we do it. Sometimes we do 35 or 40 dates. so this is a lightweight one for me!

You’ve obviously still got the stamina.

I wouldn’t do it if it wasn’t so much fun and so wonderful to play to these small audiences close up in the theatres and concert halls, have such a good time and see the response we get. We get ovations every night. I wouldn’t do it, because I’ve so many other things on my plate, with the other things I do.

I was looking at a list of some of those descriptions – art collector, artist, musician, producer, composer, author, photographer, diarist, metal detector designer … What do you think will be your greatest legacy out of all of that?

Err… playing charity cricket for 12 years, with all the great cricketers of the world! Brian Lara, Ian Botham,Viv Richards, Richard Hadlee … I’ve played with everybody … David Gower … and it was fantastic being on the field, batting against those people, bowling against them, being bowled at. It was a fantastic career and I was very fortunate to take a hat-trick at The Oval shown live on Sky Television. That was extraordinary for just a bass player from South London – a hat-trick against an old England team! Charlie (Watts) called me and said ‘Did you take a hat-trick? And did you have a cigarette in your other hand?’ I said ‘yeah, I did,’ and there were photos taken. He said, ‘You didn’t stamp it out on the hallowed turf, did you?’

Going Solo: Bill's 1974 album Monkey Grip

Going Solo: Bill’s 1974 album Monkey Grip

You famously quit smoking in 2009 after 55 years. It’s Stoptober now – are you ever tempted to re-start?

Not at all. I tried it my way, I tried every way – hypnosis, patches, everything, nothing worked. Then I finally thought I’ve got to do it for health reasons, for the future. If I want to stay with my little family growing up, I’ve got to stop this. So whenever I wanted a cigarette I had one, but stopped inhaling. I just puffed and blew away and over a period of six months it just went down to nothing. I don’t think about it and I don’t miss it. No patches, none of that rubbish. No substitutes, just don’t inhale … then you can stop!

You mention your family. You’ve been married 20 years now, and have three young daughters. That suggests a very different Bill Wyman to the one people think they know.

They’re older teenagers now. Normally at my age it would be grandchildren, but they’re my children! That’s fantastic. They’re starting to go to university. Wonderful.

With two girls of my own I can relate to that.

You’ll have to start looking out for the boys!

What do you think 17-year-old William Perks back in 1953 would make of Bill Wyman’s success 60 years later?

Well, there you go … unthinkable. I was working in a little office in Duke Street, London, near Selfridge’s, waiting nervously to get my call-up papers to do national service. No, it’s mind-boggling. There’s magic moments in your life where something happens that was meant to happen but you don’t expect it, and it takes you to a different place.

National Service: Bill's RAF days

National Service: Bill’s RAF days

I see you did your RAF National Service training at Padgate, Warrington. Incidentally, that’s where my dad did his basic training, I think just one year before you.

Oh yes – a nightmare place, that was!

There must have been a lot of fellow servicemen from that era who went to the Suez or wherever. Life could have been very different for you, couldn’t it?

Absolutely. My brother got his National Service two years after me and signed up for a dozen years in the RAF. He was an electrician on Vulcans and old V-bombers and made a career of it. Luckily, I didn’t. I got out and started to play music. And the rest is history! And here I am, still doing it!

My Band: Bill Wyman's Rhythm Kings - From Dartford to Plymouth this time around

My Band: Bill Wyman’s Rhythm Kings – From Dartford to Plymouth this time around

* With thanks to Andy Kettle  (CMP Entertainment)

* A different version of this feature was first published in the Lancashire Evening Post, and can be found here 

* To check out the latest on Bill Wyman and dates on his Rhythm Kings tour, head here

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Risin’ high and feelin’ real …

bI SHOULD really try and add a little more gloss to this review. It’s been written without too much in the way of polish. But somehow that feels the right way to go about it, in keeping with the product itself.

That’s not to say the eagerly-waiting debut album from The Sha La La’s is rough and ready, but there’s definitely a feel of the immediate and the raw about it.

As I let on last time I wrote about this band, I’ve followed Darron Robinson and John Piccirillo’s progress over a few years, and if I had anything to carp about in the past, it was the fact that the live sound I heard was never truly replicated when they got in the studio.

That was perhaps something that fitted the times, Darron’s sometimes acerbic, sometimes sweet, always sharp rhetoric toned down by a more measured production. But I reckon over the years they grew to realise it shouldn’t always be about that, re-discovering a little more rebellion in their musical influences, from Dexy’s, The Jam and The Who to Dr Feelgood and even The Redskins.

It was always a travesty that they never quite made the big time, but if there were any positives to come out of that, it was that Darron and John re-examined where they’d missed out, where they wanted to be, what they coveted most, and just how they should sound. And a lot of the results of that re-think are on their 10-track Detour Records debut album (yes, a debut after all these years), Feelin’ Real – not least shades of Weller, Marriott, Lane, Townshend and Mayfield, with a harder soul and r’n’b edge and plenty of that spirit that always lurked beneath the surface. And to that extent I think they’ve truly nailed it.

A certain band from my formative days, Fine Young Cannibals, called their second album The Raw and the Cooked, and there was something in that. The mainstream production was there, but so were the rough edges that made certain tracks work. And the same goes for this four-piece’s new labour of love.

Hang on … four-piece? When I did my introductory piece on this band back in January (here’s a link) they were a three-piece, with Darren (vocals and bass) and John (drums) joined by Lou Lucano (guitar and vocals). But since then they’ve not only recorded a whole stack of great new songs, but also brought John Lee’s Hammond organ along to the party. If they were already a force to be reckoned with as a trio, you could argue that the new John adds a missing dimension. And here’s my spin on a mightily-impressive result:   

Cover300dpiThe Sha La La’s – Feelin’ Real (Detour Records, 2013)

Heart-felt from the start, title track Feelin’ Real is not a powerhouse entrance, but the live feel gives you a real impression that Darron’s building up to his part. In that sense it’s an imperfect yet spot-on start, and like much of the band’s material there’s a lot you kind of know but can’t quite put your finger on. That doesn’t make it derivative or necessarily retro, just soaked in nostalgia for so much great ‘60s rhythm‘n’blues and soul.

Track two would have been a more obvious starting point, but this choice works all the same, Something I Can’t See dragging the last of the doubters away from the bar to soak it all up, the Wilko-esque chop guitar, staccato drumming and rumbling bass infectious, the band then cutting away part-way through for a little falsetto harmonising and Motor City hand-clapping (and I’m not talking Dagenham, either, despite that Canvey Island influence).

Another new track next, yet again I feel like I’ve been dragged on to the floor by Get Up On Yourself in the past, possibly since before I was born (as Marc Bolan said, ‘I danced myself out of the womb’). To that effect, I can imagine a few Northern Soul aficianados making out they’ve known this song for some time. Like that genre, it’s not technically perfect, but all the better for that. Add a little echo and you might even feel you’re there at the Twisted Wheel or 100 Club.

The Hammond returns from the outset on Out Of My Head, arguably the band’s interpretation of Weller playing The Who or Small Faces. Let’s face it, if Paul’s current band did this for an encore, it would sit nicely, and again a few knowing types near the front would confide in their mates that they surely should know this was in fact an obscure Marriott or Townshend flip-side … maybe. 

Nostalgia isn’t all about the ‘60s with this four-piece though, and while there are elements of a Ready Steady Go floor-filler on Twenty Five, this is a poignant number about remaining top of your game, irrespective of age, feeling like you’re in your mid-20s again. Perhaps there’s more than a bit of Darron there, on a creative high so many years after he should first have had a chance to shine on the big stage.

I’m thinking of a smoky club again now, and seeing as we’re on to the second side of this platter (of sorts), we’ve an instrumental in Losin’ It that suggests The Jam as a support act at an early Georgie Fame gig, a few hollering GI in town and lapping up that Wardour Street sound. An intermission maybe, but maybe just a call to return to the floor after a half-time swift one.

That leads nicely on to Can’t Stop Losin’ You, that heady mix of musical hook and everything that’s good about this band nicely complemented by the organ again. And just maybe I hear Levi Stubbs up there, pouring out his heart and soul as his fellow Tops harmonise. They don’t hang around though, and before you know it we’ve moved on again.

A subtle gear-change sees us head into a more reflective mode with Missin’ Words, getting the idea that we’re slowly building up to the climax, catching our breath before a final hurrah. There’s something else there as the key changes and the backing vocals come in, and it took me a while before I sussed it might be a slowed-down hook from the afore-mentioned FYC’s Good Thing (having dismissed my better half’s plausible suggestion of The Human League’s Mirror Man). There’s something of Dexy’s circa Plan B and plenty of Motown charm too. And when they change tack late on for an ‘always there to remind you’ play-out, you can imagine Sandie Shaw kicking off her shoes to join them for an encore.

The opening riff and deep bass on If You Can’t Stop (Don’t Start) bring to mind The Spencer Davis Group tackling Julian Cope’s World Shut Your Mouth with the soulful snarl of Chris Dean’s Redskins, and you get the feeling we’re ever closer to moving on up to that destination Curtis foresaw. A joyful, near-triumphant call to arms, the midway breakdown and building drum and bass leading to a ‘keep on’ refrain taking us to a storming finish.

And on an anthemic climax, Keep On (Risin’ Up To Love), there are elements of Townshend’s I Can’t Explain and maybe even a faster-paced version of the earlier Missin’ Words, the band’s mod roots shoved in your face in style, made all the sharper with a Wilson Pickett–style ‘huh’ to see us out, and again in just under three minutes – always a perfect time to stop the clock. 

* To get hold of a copy of The Sha La La’s debut LP try http://www.detour-records.co.uk/sha_la_la’s_info_page.htm or https://itunes.apple.com/gb/album/feelin-real/id713738019

* For the first writewyattuk feature profiling The Sha La La’s, head here

* And to keep up to date with the band and see where they’re at, move on up to www.reverbnation.com/theshalalas www.facebook.com/theshalalas or https://twitter.com/theshalalasband 

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