Author Archives: writewyattuk

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About writewyattuk

This is the online home of author, writer and editor Malcolm Wyatt, who has books on The Jam, Slade and The Clash under his belt and many more writing projects on the go, as well as regularly uploading feature-interviews and reviews right here. These days he's living his best life with his better half in West Cornwall after their three decades together in Lancashire, this Surrey born and bred scribe initially heading north after five years of 500-mile round-trips on the back of a Turkish holiday romance in 1989. Extremely proud of his two grown-up daughters, he's also a foster carer and a dog lover, spending any spare time outside all that catching up with other family and friends, supporting Woking FC, planning adventures and travels, further discovering his adopted county, and seeing as much of this big old world as time allows. He can be contacted at thedayiwasthere@gmail.com and various social media online portals, mostly involving that @writewyattuk handle.

Return to the Promised Land – talking Cast with John Power

John Power and his band, Cast, were backstage at the Academy in Liverpool before a sell-out show when I caught up with him, and it was clear that the adrenalin was up. “We always look forward to playing hometown shows. … Continue reading →

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Art for heart’s sake – back in touch with Vinny Peculiar

“We all need a little more art in our life.” I can’t speak for you lot, but Channel 4’s Grayson’s Art Club has proved a big draw, so to speak, at WriteWyattUK Towers since the first UK covid lockdowns. Sometimes … Continue reading →

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WriteWyattUK’s year in quotes, 2021 – part two (July to December)

As we draw closer to a new year, here’s the second half of my 12-month review of sorts, featuring quotes prised from the collected words of the WriteWyattUK website in 2021, this time involving the concluding six months, as yet … Continue reading →

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WriteWyattUK’s year in quotes, 2021 – part one (January to June)

As another challenging year moves towards its stuttering conclusion, here’s the first half of my 12-month review of sorts, featuring quotes prised from the collected words of the WriteWyattUK website in 2021, involving the opening six months as the first … Continue reading →

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A Man You Don’t Meet Every Day – talking A Furious Devotion: The Authorised Story of Shane MacGowan with Richard Balls

After acclaimed music books on Ian Dury and Stiff Records, you could argue it was almost inevitable that established rock biographer Richard Balls would turn his attention to Pogues frontman and somehow living legend Shane MacGowan next. But there was … Continue reading →

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Reign or shine, you’ve stood by me – talking Queen with Richard Houghton

As Richard Houghton readily admits in his introduction to Queen: A People’s History, there was a sense of conflict for his 16-year-old self in 1976, knowing all too well it was far cooler to follow emerging ground-zero bands like The … Continue reading →

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Misplaced Words with the girl who plays the tambourine* – talking Jetstream Pony with Beth Arzy

In late August, one of the highlights of Preston Pop Fest at The Continental in Preston, Lancashire, was a Sunday evening set from Jetstream Pony, an indie pop post-punk four-piece perfectly fusing US West Coast ‘60s sensibilities with homegrown UK … Continue reading →

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Christmas Wishing and Hoping for the Blessed – the Cerys Matthews interview

If the phone goes and it’s a private number, I’m often on the offensive, wondering what dodgy scheme or other someone’s out to try and sell to me. But there was really no need for Cerys Matthews to formally introduce … Continue reading →

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Stone Foundation / Steve Brookes – Guildford Boileroom

We’ve clearly still got some way to go with this bastard virus, and I’m not likely to go easy on preventative measures as we look for a continued safe return to the joy of live music and all that. But … Continue reading →

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Turning on, dropping by and tuning in for the Swansea Sound experience – off to the Vale of Glam with Hue Williams

With so many new records in recent months it’s often been a case of ‘out at last’, albums long delayed after 18 or so months of lockdowns and various restrictions. But not the delightful debut LP from the remotely assembled … Continue reading →

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